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At a young age, he was immersed in the culture through his older brother, FLY 1, who moved beyond black books to painting trains, giving PHADE an early and firsthand understanding of graffiti as both a disciplined practice and a lived experience. By the age of eight, PHADE was watching this process unfold; by twelve, he attempted his first piece, frustrated that it did not yet match the mastery of the era’s graffiti legends. \u003cbr\u003e\u003cbr\u003eWhile in art school, PHADE encountered airbrushing— then an unfamiliar and largely unexplored tool within graffiti—which radically expanded his visual language. The medium opened new possibilities, allowing his work to move fluidly between walls, clothing, and canvas, and laying the foundation for a practice that bridged street culture and commercial expression. \u003cbr\u003e\u003cbr\u003eFollowing his formal education, he began producing custom airbrushed T-shirts for local athletes, neighborhood figures, and emerging tastemakers. Alongside Kasheme and Mighty Nike, he co-founded Shirt Kings, which quickly became a nucleus of early streetwear culture. Their success helped catalyze a wave of Black-owned fashion brands—that would ultimately reshape the relationship between hip-hop and the global fashion industry. \u003cbr\u003e\u003cbr\u003eThe Shirt Kings booth at Jamaica Colosseum Mall became legendary. For those unable to afford a custom shirt, a five-dollar Polaroid in front of one of PHADE’s vivid hand painted backdrops offered access to the culture. These backdrops—neither murals, garments, nor traditional graffiti—formed a category of their own. Exploding with color, they fused cartoon icons like Bugs Bunny and Bart Simpson with heavy gold chains, medallions, and visual cues drawn from album covers by artists such as Rakim and Slick Rick. Instantly recognizable, they embodied a bold visual signature that captured the energy, style, and attitude of the era. \u003cbr\u003e\u003cbr\u003eThey became inseparable from the spectacle of hip-hop itself. Today, Shirt King PHADE remains an influential force across hip-hop, fashion, Hollywood, and global popular culture. His career stands as a vital bridge between graffiti’s raw beginnings and its enduring impact on contemporary visual culture.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePRINT SHIPS ROLLED IN A TUBE.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eFULFILLMENT TIME:\u003c\/strong\u003e 7 - 14 Business Days\u003cstrong\u003e\u003cbr\u003eORDERS FROM OUTSIDE EU FREE CIRCULATION COUNTRIES: \u003c\/strong\u003eImport VAT \u0026amp; Customs Fees are \u003cspan style=\"text-decoration: underline;\"\u003eNOT\u003c\/span\u003e included in the shipping cost, and will be Due Upon Delivery.\u003cstrong\u003e\u003cbr\u003eALL SALES ARE FINAL.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"BEYOND THE STREETS PARIS","offers":[{"title":"Default Title","offer_id":50207793381516,"sku":"PRNT_SKPH01","price":300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/6890\/3308\/files\/CopyofPHADE_DontBelievetheHype_01.jpg?v=1779795799"},{"product_id":"tim-conlon-g-scale-rolling-stock-series-print","title":"Tim Conlon: G-Scale Rolling Stock Series Print","description":"\u003cp\u003e\u003cstrong\u003eTim Conlon\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eG-Scale Rolling Stock Series\u003c\/em\u003e, 2026\u003cbr\u003eGiclée Print on Cold Pressed Hand-Deckled Paper\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003e16.5 x 23.4 in \u003cem\u003e(42 x 60 cm)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eEdition of 100\u003cbr\u003eSigned \u0026amp; Numbered by the Artist\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eBEYOND THE STREETS PARIS EXCLUSIVE!\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBEYOND THE STREETS is thrilled to present this new print edition from iconic painter and graffiti writer Tim Conlon. \u003cmeta charset=\"utf-8\"\u003eTim Conlon’s customized G scale model trains are born from a lifetime of painting actual freight train graffiti starting Baltimore, Maryland in the early 90s.  Conlon painstakingly weathers and designs these miniature versions using mixed media, recreating every detail ever seen on actual-size iron horses.  Using spray paint, brushes, sponges, acrylics and imagination, he conjures authenticity, down to rust spots, dents, long-gone corporate logos, boxcar markings, and rail worker stamps.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eTim Conlon's paintings combine spray paint, typography, painterly abstraction, and tromp l'oeil to create large-scale, close-up versions of the freight trains he replicates on a miniature scale. 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One of the earliest graffiti artists to introduce abstraction into his work, FUTURA was also among the first graffiti artists to be shown in contemporary art galleries in the early 1980s.\u003cbr\u003e\u003cbr\u003eEarly exhibitions of his work include presentations at Patti Astor’s Fun Gallery and Tony Shafrazi Gallery, as well as within the historic Times Square show of 1980, alongside Keith Haring, Jean-Michel Basquiat, Rammellzee, and Kenny Scharf. MoMA PS1 brought the artists together again in its landmark 1981 exhibition, New York \/ New Wave. FUTURA collaborated with the punk band The Clash during this time as well, designing their album art and painting on large-scale canvases behind the band as they performed in concert. In recent years, he created collaborative works with Takashi Murakami and exhibited at Kaikai KiKi Gallery in Tokyo. 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